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Door Number Eight

The Beginning

“Aahm,” Taylor gulped hard, “there seems to be a recurring motif about heroes going to another world in search of something, a challenge, a treasure, a cure, knowledge, that sort of thing.”

“Aha! The Otherworld!” she laughed out loud. “I’m sure I can come up with some research material about that. Are you looking for your Fairy Godmother?” she teased, with a twinkle in her eyes.

Hi, I'm FRANCIS ROSENFELD

I GARDEN, I WRITE, AND I WATCH THE WORLD GO BY



There is nothing new under the sun but our perception of things. Technology advances, civilizations flourish and fall, but the human spirit never changes. We are born with all the storylines able to touch our soul.

These basic tales bind us through time and cultural differences and allow us to relate to each other while we harbor completely different views of the world. The rest is just letting life flow quietly through you.


The Garden - a living audionovel

Every week another door opens.

“There are open waters out there, Cimmy,” Rahima whispered, as if she was afraid to acknowledge what she’d seen. “Large sheets of water, going far into the distance. There are so many of them, hundreds, maybe even a thousand, and they all seem to end abruptly at an edge that’s far out into the distance. I don’t know if the water is flowing into a void back there, because there isn’t anything you can see past that edge. Nothing but sky.”

Listen to the whole novel
The Garden of Angst - The Drought
The Garden of Angst
The Drought
The Garden of Angst
The Drought
The Garden of Scorn - Beyond Confines
The Garden of Scorn
Beyond Confines
The Garden of Scorn
Beyond Confines
The Garden of Scorn - Everyone Deserves a Name
The Garden of Scorn
Everyone Deserves a Name
The Garden of Scorn
Everyone Deserves a Name
The Garden of Scorn - Rat!
The Garden of Scorn
Rat!
The Garden of Scorn
Rat!
The Garden of Scorn - Purple Thistles
The Garden of Scorn
Purple Thistles
The Garden of Scorn
Purple Thistles
The Garden of Despair - The Purple Flowers
The Garden of Despair
The Purple Flowers
The Garden of Despair
The Purple Flowers

No story ever comes from nothing, there is no such thing as pure fiction. Without the honesty of real emotions and the authenticity of events that could have happened, the tale doesn’t touch the soul.

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WHY I WRITE
essays

We thrive on empathy and recognizing ourselves in others; we love to know we’re not alone in our predicaments, victories or convictions.

We then reach for the mirror of stories, both real and made up, to see our own experiences reflected in them and find solace in the great sea of human thought, always in motion. We can’t help it, we’re wired to connect, care, be curious and offer opinions.

A deluge of images and memories, so thick I have trouble keeping up, brings back places, people and times: the surreal feeling of walking on Broadway for the first time on a freezing January morning, the ghostly halo of Niagara Falls covered in ice at night, the skyline of Manhattan with the Twin Towers still etched into my brain, picking pumpkins in the rain and laughing, knee deep in mud, the space shuttle Columbia disaster, the Curiosity landing, the time before personal computers.

I remember thinking how blessed my grandparents were to watch the advancement of society through almost a century, in good times and bad, from horse-drawn carriages and gas lights to mobile communication, unlocking the human genome and deep space exploration.

I can’t help but feel that the standard has now been passed on to me to be a witness to the world changing.

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  • I write because I saw people sitting on benches in front of the Brandenburg gate and staring at the wall behind it, in the hope that their loved ones, or long-lost relatives, may be doing the same thing on the other side.
  • I write because I learned the story of the blizzard of 1954 when snow reached to the rooftops and people dug intricate systems of tunnels through it to reconnect their neighborhood.
  • I write because nobody else woke up to the morning sun illuminating the wall in my grandparents’ guest bedroom, highlighting the golden stencil patterns and playing with the tree shadows, nor did anyone else watch the streams of fast flowing water wrap around my ankles as I walked home from school in a torrential summer downpour.
  • I write because i was the one to come upon a very old headstone and been told the story of a pretty girl who died of consumption at the beginning of the twentieth century, aged sixteen.
  • That story spanned seven decades to connect me to an unknown person’s life from way before my time. Who am I to let it pass into oblivion?

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February 24 - March 8, 2026.

Door Number Eight - a novel by Francis Rosenfeld

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Short Stories

The Weekly Read

March 1
2026
Door Number Eight - a novel by Francis Rosenfeld

The room was practically empty, with the exception of a large swivel chair marking its center and another old fashioned wing back chair placed nearby, almost as an afterthought.

The contrast between the two pieces, one made of red leather stretched tighter than a drum around severe modern contours and the other overstuffed, covered in chintz print and smothered under a sea of pillows, was so stunning that Taylor failed to notice the rest of the oddities in the room, more specifically the fact that it had an octagonal shape and in the middle of each wall there was a door.

She didn’t anticipate there would be a person sitting in the swivel chair, which had its back to the door at the time. She walked into the room, feeling almost as if somebody or something was pushing her from behind and gasped when the chair turned around; she found herself face to face with a young guy with glasses, rather long and unruly black hair and a wispy beard. He didn’t seem surprised to see her, which increased Taylor’s discomfort. Because she didn’t know how to extricate herself from the uncomfortable situation, she blurted the first thing that came to her mind, however illogical.

“What are you doing here?”

“I should ask you this question,” he replied poised. “You’re in my room.”

“Of course I didn’t break your door,” he replied annoyed. “I wouldn’t worry about the lock anyway, it’s not a critical detail. Please, sit. I’ve been expecting you.”

Taylor sat in the chintz chair, which was a lot more comfortable than it looked.

...

She settled herself in, grateful for its softness and suddenly remembering how tired she was, and was still adjusting the pillows when she met the young man’s gaze again. She felt absolutely ridiculous sitting there, buried in a mountain of pillows and floral motifs for no particular reason at all.

“I’m touched you found your way to comfort, that’s exactly why I teach this class, to encourage people to settle into their comfort zones.” The sarcasm wasn’t lost on Taylor, but since she had made the first socially unacceptable move by walking into another person’s room uninvited, she ground her teeth and didn’t retort. She regained her composure and asked the obvious question.

“What class?”

“Welcome to WAI 106.67 - Introduction to Wayfinding Systems. It’s an introductory class,” he pointed out the obvious, and Taylor wondered what remedial Wayfinding Systems class she had missed to justify the additional explanation.

“An introductory class in what?” she pushed back.

“Wayfinding,” he pointed out, looking at her as if to assess whether she had the required level of intelligence to attend the class. Taylor sat back in her cozy chair, still trying to figure out who was pulling a prank on her and why, and amazed by the lengths that someone went to in order to generate this level of detail. The doors alone, for one. So she decided to play along and asked.

“Where do the doors lead?” knowing full well after the exploration trip she had taken around the building the day before that they couldn’t possibly lead anywhere.

“We’ll get to each door when its turn comes, but I need to give you the disclaimer about door number eight, it’s university policy, safety training, release of liability, that sort of thing. You get the idea. In short, don’t go through door number eight.”

“Sure,” Taylor replied, with a hint of sarcasm that didn’t escape her conversation partner, “But all the other ones should be safe, right? Or do I have to review the door handle operation manuals before I go through?”

The young man rolled his eyes, clearly irritated, and scrunched his face a bit to adjust the glasses on the bridge of his nose. He spoke sharply.

“God, I hate freshman class, and for some evil reason I always get stuck with it, every single year, at least once! You all think you know everything, this gets so tedious after a couple of decades!”

“How old are you, exactly!?” she thought, shocked, and then remembered she was playing along in a prank, and decided to let go of the question, to see what tall tale he was going to make up next.

He didn’t look more than twenty anyway; in fact, if she had to venture a guess he looked exactly her age, and she wouldn’t have been surprised to run into him in one of the courses she had enrolled in.

She looked at him carefully, to figure out if she had seen him around campus. He looked very familiar, she didn’t know why, there was something about his facial expressions, his hand gestures, the way he sat in the chair, that she was certain she had seen before, although she simply couldn’t remember where.

He was relatively tall, with an athletic, but slender build, dressed in a solid dark t-shirt and jeans. He could have been any of the hundreds of students she passed by as she walked across the courtyard to go from one class to the next. Finding no answer, she shook her head and gave up, and tried to wrap up this charming interlude to go veg out in her room.

“You do know this is a mandatory class for your study major, right?” he asked, even more displeased than before, and the furrow between his eyebrows deepened.

“Of course it is,” she said, and got up to leave. He didn’t try to stop her, so she headed, very sure of herself, in the direction from which she had come, only to notice, in disbelief, that there were only eight doors on the walls, none of which led back to her room.

“No doubt you counted the doors when you came in,” he commented on her bewildered expression. “How many were there?”

“Eight,” she mumbled, still in shock.

“And there you go. There are still eight doors.”

“But...” she protested, really terrified this time.

“Stop fretting, the door will be there when class ends. Sit down, you’re wasting instruction time, you’re not my only pupil, you know.”

She sat down, waiting for him to speak, but he didn’t, he just looked at her, expectantly. They sat in silence for a while, staring at each other, until eventually he looked at his watch and restarted the conversation.

“So, are there any questions you would like me to answer before we begin?”

“Where do I even start?” she thought, simultaneously wondering if the class they were talking about was still forty eight minutes long and glancing furtively at the wall to see if the door was back yet. Her instructor was staring her down, waiting for a question, so she wrecked her brains to come up with one that wouldn’t sound completely idiotic.

“Don’t worry, there is no such thing as a stupid question,” he encouraged, doing his best to contain a restless streak. She obliged.

“Why eight doors?” was the first thought that came to mind and straight out the mouth it went, unsifted.

“Because the curriculum didn’t allow enough time for nine, and seven would have been too few,” he shed light on the issue.

“What happened to room number eight?” she blurted, almost against her will.

“Oh, now we really do have a good question here, but you need to pass this class to understand the explanation. The short answer is, room number eight is where it has always been.”

“Is the class about these doors?”

“Yes. When you’ve successfully walked through them, the class ends. We’ll meet every day for an hour, just like today,” he said in a voice that started to sound more amenable.

“So, this course is only eight days long?” she asked, still skeptic.

“First, what makes you think you’ll be able to successfully walk through the doors on the first try, and second, what did I say about door number eight?”

“Don’t go through it?” she asked, tentatively.

“That’s right,” he responded. “We’re going through the doors in their order of difficulty, starting tomorrow with door number one.”

“You are coming too?”

“Oh, definitely. I’m responsible for your welfare for the duration of the class, I don’t even want to picture the bureaucratic nightmare that would ensue if you got lost!”

“Got lost where??!” she panicked.

“Don’t worry, as I said, I’m coming with.”

“What do you mean by ‘successfully go through them’. What’s so hard about walking through a door?”

“You can’t walk through it if it isn’t there,” he smiled, and from the corner of her eye she noticed the door leading back to her room, wide open as she had left it, staring her down from across the room as plain as the nose on her face. He turned his head.

“Well, it looks like the class just ended. See you tomorrow,” he dismissed her.

She hesitated, not knowing whether it was OK to leave and troubled by a thought.

“So,” she finally uttered, “what if I decide not to come back here?”

“It’s your education, not mine. If you do, however, decide to return, class starts promptly at four. Don’t be late, I loathe that.”

“What am I supposed to do in the meantime?” she mumbled confused.

“Go to your other classes, of course.”

February 16
2026
Between Mirrors - an audiobook by Francis Rosenfeld

Claire’s path had been a winding one, a life choice that had brought her both interesting and unexpected experiences and endless frustration from those loved ones who would have preferred it to have some direction and purpose instead.

True to the wisdom that not all those who wander are lost she had rambled through life rather than live it, gathering experiences and memories on her path like one picks up souvenirs along one’s journeys. She was old enough by now to open that symbolic box of mixed experiences and try to put them together in a broader context, in order to get the big picture.

The tapestry she came up with as a result was beautiful and strange, and if she wanted to be honest with herself it didn’t make much sense. That’s probably why she had decided to take a sabbatical from normal life, find the missing pieces of the puzzle and put some meaning into this random cluster of events.

That is how she ended up coming back to the home of her childhood, the place where things never changed: she needed a fixed point to focus on while this chaotic soup of actions, encounters and events kept swirling around her, so involved in itself it left no room for breathing. Its relentless churning gave her motion sickness and seemed ruled more by the laws of fluid dynamics than by those of human nature - it had eddies and currents and immovable rocks, mucky dead spots and rushing white waters, and places so clear one could count all the pebbles on the rocky bottom and all the creatures who lived there.

...

Heeding her grandmother’s advice she went out into the garden to enjoy nature and stopped almost without thinking to sit under her oak tree. She unfolded memories inside her mind like one spreads photographs on a table, grouping them together, singling them out, looking for patterns and organizing structures in their jumbled mess.

There were too many those special moments she had greedily accumulated, and they had too many connections between them, made without rhyme or reason. Like the brain of a three year old gobbles up reality with no discernment and creates extraneous neural pathways it has to sort out and discard later, so did Claire’s insight get weighed down by an unseemly amount of irrelevant details.

Hidden in that foggy maze were her pivotal moments, the events that had charted her life’s path. She was surprised to notice that many of them were eminently forgettable, like for instance the day when it started raining and she sought shelter in the cafe where she ended up working for two years; that’s where she made the friend who introduced her to the local art community and a way of life which had unfolded right under her nose for years and yet she knew nothing about.

She’d spent some time in their world and dedicated herself to her painting, for which she ended up deciding she had no talent, but which gave her a reason to remain immersed in this different atmosphere she tried so hard to understand. Eventually she realized there was nothing to understand, not with one’s mind, anyway.

It was more like singing the song of one’s soul loud enough for the world to hear. Her inexplicable devotion to the artistic milieu threw her into the unlikely job of art curator, which required writing reviews and got her tangled in the publishing world, from which she got side tracked into travel writing and culinary reviews.

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As she looked back at her life she was amazed at the amount of living she had managed to stuff in such a short period of time and even though she was slightly disappointed that her loved ones couldn’t see her footprints on the world, criss-crossing its shifting sands like openwork embroidery, she didn’t resent them for it. How could they experience her point of view while standing in a different spot?

Despite the fact that her family deplored her lack of focus nobody accumulates this amount of life experience so young by planning for it. The complex patterns of life are so much richer than one’s ability to process them and so filled with information and details they can only be experienced in part and in context, a single layer of an infinitely thick set.

It’s been mentioned so many times that our lives are unique that the meaning of the words got dulled by cliche, but it is true: no two of us see the same reality, we all have our own worlds to live in, coexisting with the others’ and impossible to peel apart. Claire had experienced her own existence in motion since she was five years old and she had seen the shadow for the first time. The shadow had called out to her ever since, trying to entice her back to the uncharted place she knew existed but kept ignoring in order to stay the course.

It is interesting how life has ways to return one to their fated path when it deems it necessary, almost surgical in the way it eliminates anything that stands in its way. There is nothing it won’t reshuffle, add or remove in order to achieve this goal. Nothing.

This lengthy session of navel gazing did yield a useful conclusion: most of her life’s defining moments were not of her doing. She shrugged the irritating thought and got up to get back into the house, since the sun had already set and the violet shadows of the night were getting thicker. As she passed through the front doors she got a glimpse of herself in the mirrors, donning a garden hat and the same unnerving smile.

This time Claire didn’t cave. She stared right back at the stranger in the mirror, to get to the bottom of this crazy reflection well, but there was no bottom, just an infinite number of hers fading into the vanishing point. She gasped when she realized there were subtle differences between all of these reflections, not so pronounced that a careless glance would find them jarring, but inescapable to the attentive eye.

Behind the surface of the mirror dwelt relaxed hers, and thoughtful hers, and tense hers, and excited hers, and sad hers and absentminded hers, but there was one thing they all had in common: the garden hat. Claire wasn’t wearing a hat.

“How on earth is this even possible!” Claire thought to herself, more fascinated by the fact that the hat that didn’t belong in the reflection seemed designed to draw so much of one’s attention one wouldn’t have enough of it left to focus on the much subtler differences the Claires had between them.

She looked behind her to make sure her grandmother wasn’t around to give her a piece of her mind about standing in the doorway again, and when she looked back at the mirrors she noticed the hat was gone. She got mad at herself for not taking a picture of this strange phenomenon before it was gone and promised herself that the next time the mirrors decided to go all alternate reality on her she’d snap up some evidence for posterity.

The grandfather clock struck eight and Claire headed to the dining room, where the table was already set for dinner. There were only two place settings.

“Your grandfather’s business in town took longer than anticipated. He called to let me know he’ll be staying overnight. It’s just the two of us this evening,” her grandmother smiled. Claire sat down, bewitched by the comforting aroma of baked macaroni and cheese that was filling the house. Her grandmother appeared, carrying the hot casserole from which thin wisps of steam managed to escape, even though it had the lid on.

“Did you have a pleasant day outside?” the latter started the conversation while dishing generous heaps of gooey goodness onto the plates.

“Yes, it was very relaxing,” Claire replied, eyeing her favorite dish while her mouth watered. While she dug in, gleeful with anticipation, she realized she had no idea what her grandmother did on a regular day. “How was your day, maman?”

“Oh, you know, the usual,” her grandmother gave her a vague response. “I had a few things to attend to, there is always something that needs done in this house.”

Claire wanted to ask for more detail, but her grandmother didn’t leave her time to do so.

“Speaking of things that need done, I found a hat for you to wear when you go outside. I know you spent too much time up north to remember, but in our neck of the woods it’s too hot to stay outside all day without a hat, you’re going to get yourself sunstroke. And don’t you tell me you’re going to keep in the shade. You’ve been using that excuse since you were this tall,” she held her hand slightly above the table top, “and it didn’t fly with me then either. You can get yourself a different one if you don’t like it, but in the meantime...”

Claire didn’t comment, nor did she wonder what the hat looked like. She had a vague idea.

February 7
2026
The Talk - a short story by Francis Rosenfeld

On my commute from work, I used to pass a graveyard.

I was young and filled with want, as one is at that age, twenty-eight, twenty-nine, the age when life makes demands of you, and you of it, but you’re excited about them because they’re yours. You’re too young to be entrusted with caring for others, but too old not to care for yourself, and you can feel your life bear down on you and ask for a tally of what you’ve done so far, how you’re doing with progress and what you’re planning to do to improve yourself.

You always have to improve yourself when you’re young, somebody will remind you of that, just in case you forget. Your list of wants is endless, while your means are never a match; you build castles in the air and fantastic lives you know will never happen, but you like to keep them in your mental quiver, just in case that momentous occasion shows up and luck springs up on you, unexpectedly.

You like to believe in luck at that age, what else is there?

One could be so in charge of one’s fate at twenty-nine, if only one pressed harder and applied oneself more, as one knows one can, because nothing can stand in the way of one’s destiny, the future one shapes for oneself.

And yet, as I passed by the old stones they silently imposed reverence.

"Listen to those whose lives ended long before your time", they said. "People just like you. Just like you."

...

I was always tense and frowning back then, (I still have the eleven lines to prove it), but ambition feels so pointless in the presence of the dead, and I guess I learned to listen to them then, one of the few things I learned to do well at that age, I learned to listen and understand the things that really matter are always unexpected gifts, and to see the fleeting nature of our so-called fate, and laugh at the silliness of the important and the urgent, because nothing that doesn’t outlast the season can be that important in this transient existence in which after a few short years you no longer recognize the person you used to be.

I listened to those departed strangers, whose lives and names I never knew, when they told me to live. You can always trust the departed. They have no hidden motives when they tell you to look past the pointless grind of daily chores and live, live, if you’re lucky to be alive, live!

One shouldn't take luck lightly, she always thought. If luck ever found her, she knew what she wanted to do with it. She would always keep her blessings close to her heart, because luck follows good cheer like a little pup. This way she would always have it with her at every step, and weave it into love, the health of her family, the work of her hands, her children's fortune, their children's future, her home. It would keep her safe and grant her long life and teach her joy.

I listened to those departed strangers, whose lives and names I never knew, when they told me to live. You can always trust the departed. They have no hidden motives when they tell you to look past the pointless grind of daily chores and live, live, if you’re lucky to be alive, live!

Luck is not winning the lottery, luck is being here with the sun in your face and the scent of crocuses in your lungs in early spring, and having the sense to wonder what bird is singing so sweet in the tree nearby, that’s luck, you hapless young woman trying to be everything to everybody at all times!

I listened to the departed, always dutiful and polite, eager not to offend as I was at that age, lest someone might not like me, and passed the grave stones with quiet reverence, and only five minutes later forgot their request, because very important paperwork had to be processed, there were no clean clothes left and the boss had asked for that project to be done ASAP, we all know that ASAP project, there is no other kind, but the next day I passed by the graveyard again, and heard the wiser voices of the past scold me for being such an klutz I couldn’t hold a simple concept like that steady in my head.

I welcomed the sight of the old stones on my way home; they made me feel like I was chatting with a wise old friend, one who knows better and never gives you bad advice; no matter how my day had been, they comforted me, always there to remind me of what really matters, and whose life I’m supposed to live. You don’t live your life most of the time, have you figured that out yet? You manage expectations, balance priorities, execute plans. The dead were there to teach me how to live.

You can’t share this kind of story with your friends, because you know who lingers around graveyards?

Vampires and crazy people.

Normal people buy things and then brag to their friends about what they bought, and secretly rejoice when they learn their friends haven’t bought those things yet. They bellyache over career moves, neighborhood resale values, the size of their heinie.

That’s what normal people do at twenty-eight, when society imposes an unwritten obligation on you to feel insecure, and want things that are always just slightly out of your reach, but which you could have gotten if only you were a little better, just like other people always seem to be, something your betters never forget to point out to you.

You can’t share this kind of story with your parents, who question where they went wrong in your upbringing and ask offended how can you be so morbid, after all the hardships they endured on your behalf, just so you’d make something of yourself, for God’s sake, not give them more things to worry about with your creepy death obsession. Death is not to be discussed with your elders.

Ever.

But the departed smiled kindly at my pointless fretting, and I smiled too and kept our conversation secret, like all the important talks in life must be. You don’t share the wisdom that you want to keep.

There is a special aura around the days that matter.

However long a time has passed, or however many things have happened since, you vividly recall exactly how the tree blossoms smelled that afternoon in early spring, so important it etched every one of its details in your memory.

Live, you goose, the departed asked me. Live, because you’ll wake up one morning an old woman, if you’re lucky, and wonder what happened with your life! Live now! Live tomorrow! Live every day! LIVE!

“But what about the grant application?” I asked, making clear, to their dismay, that I didn’t get the message. One doesn’t, not at that age, not for anything.

How sad is it we all have to repeat the older generations’ mistakes ad infinitum, like a printing error message that keeps replicating automatically in hundreds of copies, wasting the ink and the paper?

One day I stopped passing by that graveyard, because, as the departed had already explained to me, life gets reshaped constantly and the surroundings always change, and you’re always too busy to notice.

One thing about graveyards, though, you can pretty much find one anywhere.

After I read other people’s stories, which made me laugh, cry, or reflect, I became aware that all lives are extraordinary and worth writing about, including my own. We all contribute our small share to the changes in the world, we matter, the people we love matter, as do complete strangers. We shape this world together, one moment at a time, and the future is always of our own choosing, always within our grasp.

I write because I get caught in the maelstrom of feelings and events from so many people near and far and I don’t want their unrepeatable experiences to be forgotten.


I write because I lived, loved, learned, hurt, and I have so much to say!

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Essays

The Weekly Read

January 12
2026
World Building

On the Importance of Stories

Every game creator or science fiction writer stumbles upon the craft of world building eventually, because fantastic narratives can’t live in a vacuum.

While the contemporary or historical fiction writer can rely upon the real environment to provide a context for his or her story, a fantasy or science fiction writer has no choice but to create one’s own.

What is world building?

It is the logical structure of a world made from scratch, which includes all the components of what we perceive as a reality, with just enough detail to make it feel alive to the reader.

...

World building creates a believable world and society for readers, so they can suspend disbelief and make themselves comfortable to follow the story.

Make-believe worlds have names; they exist in a specific place and time, have their own economy, architecture, language, education, art, history, traditions, religion, and laws.

Their denizens have bodies that can be described; they have names, a heritage, lifespans, minds and emotions, and pride themselves in their own creations or convictions, which must live inside the context you provided, and therefore be true to it, in order to make sense.

They have beliefs regarding the afterlife, origin myths, ethics, and morality.

A well-crafted world creates a rich context that explains characters’ behavior, enabling readers to empathize, even in an unfamiliar setting.

All stories need this living environment as much as they need characters.

It provides a scaffolding on which the narrative is slowly built, narrative which wouldn’t make sense without it, because its quiet background fills in the details for all the things the writer left unsaid.

remember poetry?

About the Soul

  • Your soul needs quiet to find itself.
  • You'd be hustling and mumbling and counting your problems, stuck in forever nowhere with strangers,whining about the unfairness of life, and in that one second between thoughts it calls you, out of the blue, to remind how you've been ignoring it this entire time, breaking you out of your cocoon of petty concerns, bewildered and saying to yourself, "I AM."
  • "Yes, YOU ARE, aren't you, honey?

...
your next favorite poem is waiting

francis-rosenfeld.com

Whispers of the Soul, Spoken Aloud.

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Francis Rosenfeld My Dear Fiona book cover - self-reflection character driven narrative
My Dear Fiona
fantasy
My Dear Fiona
fantasy
Francis Rosenfeld Between Mirrors book cover - self-reflection personal growth story
Between Mirrors
fantasy
Between
fantasy
Francis Rosenfeld The Gates of Horn and Ivory book cover -  exploring human connection through introspective fiction
The Library
satire
The Library
satire
Francis Rosenfeld The Plant - A Steampunk Story book cover - societal change personal growth story
The Plant: A Steampunk Story
sci fi
The Plant: A Steampunk Story
sci fi
Francis Rosenfeld Fair book cover -  exploring human connection and societal change through fiction
Fair
fantasy
Fair
fantasy

Thoughts on Terra Two

from our readers

February 14
2014

Pure delightful imagination

This is not an action packed novel, but rather a melodic and hypnotizing piece of literature. It swept me away with its rich imagery and well thought out story line. I could not put it down and look forward to Francis' next book.

June 4
2015

Not what I expected, yet everything I could want

This is a gentle story that comes with a peaceful feeling. All that I can say is how do you describe a hug ? Reading this reminded me how simple life can and should be. We should all value the life we live and share it well. Yup it gives away hugs.

June 9
2013

Philosophical magic

The author weaves a portrait of what it means to be alive. The portrait grabs your heart and does not let go.

March 21
2015

Magic

I was so entranced with this novel that even though I started reading it late in the evening I wasn't able to put it down til sunrise.[...] This novel is a joy to journey and shouldn't be missed by any who feel some nameless calling in their spirit to enter " a peace that passes all understanding" Truly magical .

Hidden Rooms

Subscriber-only spaces: fragments, whispers, archives.

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Room I — The Missing Chapter

An unpublished Between Mirrors fragment — blurred until you unlock it.

“The mirror did not reflect…”

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